just look at this photo of james gandolfini carrying spike jonze

  1. Camera: Leica Camera AG M8 Digital Camera
  2. Exposure: 1/60th
  3. Focal Length: 28mm

James Gandolfini: Tribute to a Friend.

(Kaynak: casasoprano)

I found myself, more and more, going over to the Abundas’s. 

It was a routine we fell into most every evening. I even went when Walter was away on his research trips. He was a genealogist, had traced back his side of the family seven generations, his late wife’s eight. It seemed like a screwy hobby, but then maybe all hobbies are. Maybe Walter found something there in the old county courthouses, hospital file rooms, City archives, property rolls, registries. Something maybe like what I found listening to Birdy play. Some kind of escape. Some kind of peace.

How much of him was in Tony Soprano? Did he ever help shape the writing of his character?

He didn’t shape the storyline and he didn’t shape the writing, but he taught me a hugely important lesson about the character on the first day of shooting. It was written in the script that Christopher was supposed to tell him that he had written a screenplay and he was sending it to his cousin in Hollywood. And it said in the screenplay that I had written: “Tony, I’m going to send this to my cousin in Hollywood.’” And Tony says, “What’s the matter with you?” and slaps him across the face. When we staged the scene, Michael Imperioli – who plays Christopher – was drinking a beer and what Jim did was lift him out of his chair by his collar and slam him against a wall. Instead of slapping him lightly across the face, saying “are you out of your fucking mind?” – it was the same dialogue, but he delivered it with eight times the intensity. What I remember most is the beer bottle, rolling across the concrete, and thought to myself: “Yep. That’s great. Yep, that’s right. Let’s really go for this. This guy is the part.”  

_David Chase_

"He was a genius. Anyone who saw him even in the smallest of his performances knows that. He is one of the greatest actors of this or any time. A great deal of that genius resided in those sad eyes. I remember telling him many times, ‘You don’t get it. You’re like Mozart.’ There would be silence at the other end of the phone. For Deborah and Michael and Liliana this is crushing. And it’s bad for the rest of the world. He wasn’t easy sometimes. But he was my partner, he was my brother in ways I can’t explain and never will be able to explain."
- David Chase

(Kaynak: casasoprano)

Two, two things a man should know how to do: be romantic and smoke his brains out.

Here, pack a bag. Now! And you won’t need no sandals or fucking resort wear. I’II be waiting downstairs.